Tackling the Backsplash

backsplash tiling begins

Although we have a wonderful tile setter, he is often very busy and didn't return our phone calls when we asked him about tiling our backsplash. Our guess is that ours was too small a job for him to make multiple return trips (he lives over an hour away).  And so, we are tackling the job ourselves. As I write I can hear the whine of the water tile saw outside.  It's a remarkably efficient tool for cutting and shaping the tiles. We are using the same subway tile we used in our bathroom.  We purchased it originally from Country Floors before they closed their Toronto showroom during the recession and we had to do some sleuthing to find enough extra tiles for this job.

Yes,  Will and Kate are lending a hand.  So much for the Globe and Mail keepsake wedding insert

We'll soon be in a quandary over grout colours.  We have matching grout in the bathroom, but I think we might prefer to emphasize the subway pattern in the kitchen. I remember being vaguely disappointed when our bathroom walls lost their definition to the matching coloured grout.

the ungrouted corner showing clear shadow lines

A shot from across the room showing the window trim

What do you think?  Should we use a contrasting or matching grout colour?

oh, the glamour of diy

I've included two photos of our master bathroom tile, in progress, and grouted with a matching grout, to illustrate how much the subway pattern is minimized when the grout coordinates with the tile.  I'm not sorry we blended things in the bathroom because there is so much tile in that room, but maybe the relatively small tiled area in the kitchen could handle more contrast.  We debate.

the master bath tile during installation with subway pattern quite apparent

the same wall after grouting

 

Soapstone wins and Marble gets its edge

Soapstone counter and sill (left) and marble inverted ogee edge (the gray paint is primer)

In the end, we were brave.  We invited some high contrast into our previously calm, neutral kitchen scheme, and opted for some drama on our island edge. Thanks in part to the comments on this blog and to the advice of many on the amazing Garden Web kitchen forum, we chose soapstone for our perimeter kitchen counters and we decided on an uncommon, inverted ogee edge for the marble counter top on our two-level island. 

Soapstone, for all of its popularity in theory, seems infrequently used in practice.  But we are now complete converts to its beauty and robustness.  We used two separate supplier/fabricators, one for each stone surface, and each did a beautiful job.  On this count we feel extremely fortunate.  We did our homework and it paid off.  We've been living with the new counters for a few weeks now (it's taken me all this time to get these photos together) and are thrilled with our bold (to us) choices.   We've come so far with the kitchen that it astonishes us that so much remains to be done. But for now, here's a glimpse (in about a million pictures) of the countertops:

this was the first piece of soapstone to be installed--perfect fit

after oiling

the main sink slab coming in on a custom-built trolley

the corner sink--before oiling

and after

the astonishing caramel veining

the perfect, zero reveal, sink cut-out and soapstone window sill

the long view after oiling (the oil sinking in in places)

another window sill  (with window jamb and trim tacked up)

bar faucet, and filter tap in polished nickel

the main sink faucet with side spray (snow now gone)

and here's the soapstone as it looks today--last oiled about a week ago

 A couple of weeks after the soapstone was installed, the marble installers came.  The perimeter soapstone counters included two sink installations, onsite drilling for faucets, and several seam. The installation took two men a full day.  The marble, although for a two-level island, had no seams, and our plywood substrate supplied by the cabinet maker was so perfect that the entire installation took less than an hour.

the marble countertop being installed on a plywood substrate

another installation shot with N providing another set of hands

An L shape in stone, especially with such a narrow side, is inherently prone to cracking and we were very relieved when the piece was in place and intact.  The piece of marble that forms our bathroom vanity upstairs was a piece salvaged from a bar top that had cracked right in half during the installation, so we knew what could happen.

another shot of the island edge (painting in progress--lest you think we're leaving it this way)

the lovely honed marble

and again

Although we've seen a bullnose edge over a recessed ogee, we haven't seen this particular edge (eased square over recessed ogee) anywhere else, have you?

We love the island edge for a few reasons: first, it provides maximum usable counter space which is especially important on the narrow part of the island where the peninsula is only 15" across (if we'd put the ogee on top, the edge would've cut into the counter by an 1 1/2"); second, it allows us to have a built-up edge without any visible seam; third, the flat edge up top allows us to sweep crumbs or mop spills without anything getting stuck in the edge; finally, the profile echoes the baseboard on the island, the sills throughout the house, and the ogee detail on the soapstone sills.  If you're considering a built-up edge on a 3/4" slab of marble (which is by far the most common thickness of marble slabs in the GTA), we wholeheartedly endorse this one.


Our most recent kitchen steps included installing the dishwasher (which arrived dented first time around.  Any nostalgia I felt for handwashing evaporated within a week and after almost two months without the crucial machine, my hands were desperate for a break from soapy water), and installing the window jambs and trim. I'm currently working at painting all of our beautiful new cabinetry by hand (it was my big idea to have a hand painted, rather than factory, finish, and it's now my big job).  More kitchen posts to come.

Stainless Steel or Soapstone?

Just when I thought our final kitchen finish decision involved a mere edge profile, another quandary.

we couldn't bear to do this with marble

We want our perimeter kitchen countertops, the ones where all the action takes place, to be capable of withstanding all of the ravages of cooking.  To be, in a word, indestructible. We are wanton, messy cooks around here.  Butter, wine, lemon, curries, vinegar, pot lids encrusted with browned bits from long braises--the countertop must take all comers, and the counter must win, hands down, every time.

We thought we had our winner in stainless steel.  Stainless has lustre, strength, incorruptibility, and a fantastic pedigree.  It is, after all, the surface of choice in almost all restaurant kitchens.  But then the quoting process.  Stainless is expensive.  In the hands of an inexperienced fabricator it can look a little rough around the edges and wobbly in the middle.  Plus, we were getting conflicting information about gauge and type of stainless: 16, 14, 304 or 316...we just couldn't get the definitive answer.  And while this was happening, our eyes began to roam.

Initial finishes palette (plus brick wall, not shown, see here)

Cruising the amazing GardenWeb kitchen forum one day (here), we saw a post about someone's ss countertop.  Thinking ss meant stainless steel, we followed the thread and discovered stainless steel's possible nemesis: soapstone.  Soapstone is similarly incorruptible.  Its structure is inert--undamaged by acid or oils.  And although it can scratch, its softness allows it to be gently buffed back into uniform smoothness.  And soapstone can do something else.  Unlike stainless, which can only reflect what's around it, soapstone has its own inherent beauty.  It can provide a subtle but strong anchor to a white kitchen, a counterbalance to a neutral colour scheme. 

Revised palette with cast iron pan as proxy for soapstone

What do you think?   Unfortunately, I don't have any photos of the soapstone we might use, so I used a cast iron pan as a poor substitute for the soapstone.  We'd been planning to allow our eclectic dishware and enamelled iron pots to provide the colour in our kitchen, but lately we've been thinking things might be a little washed out, and in dire need of some contrast.
Here are some other things that will be in the finished kitchen:

this marble, called calacatta carrara (more about it here)

our wall mounted stainless steel gas fire place

one of three Franklin pendants in antique silver, brick in background

shorebird carvings whose neutral colours guided some of our finish choices

Maybe, just as the shorebird's bills and tails lend them a lovely graphic quality, the dark soapstone would give some definition to our neutral kitchen.  We have yet to go to see the available slabs of soapstone, so we can't judge how well it go with our marble, but we will very soon.  We like the idea that soapstone changes a little--lightening and becoming grayer--in between oilings.   To make matters worse, in the last couple of days we finally found a steel fabricator who says he could make  the counters we want with integral sinks and marine edges.  The prices for stainless and soapstone are neck and neck.  What would you do?  We'd love to hear your opinion.

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And this s.s. vs s.s. decision doesn't even touch on the new dilemma regarding the marble island top.  Just as we thought we had committed to building up the edge of our 2cm marble slab to give it more presence, along comes Paul Anater, kitchen designer and blogger extraordinaire, freshly back from an influential furniture show in Cologne, Germany with a report about the new sleek trend in countertops: thin is in: 1 cm thin to be precise.  Aack!  What to do?!.  Read about it at his blog: Kitchen and Residential Design.

The tyranny of choice (or why I can't choose my marble edge profile)

the built-up ogee step edge in honed statuario on the bathroom vanity

With only a few weeks to go before the cabinets get installed, the remaining kitchen decisions are looming large and we have lost all perspective.  This kitchen renovation has taken years to come to fruition, and during that time, while we attended to the behind-the-scenes infrastructure, we dreamed.  Our dreams were big, the possibilities endless.  And we took advantage of the freedom dreaming offers: changing our minds about some appliance or finish every couple of weeks.  But now, most of our decisions have been made.  The flooring is in place, new windows installed, appliances purchased, backsplash tile stockpiled, cabinets being built, sinks and faucets ordered, perimeter counters selected, trim refinished, light fixtures mostly in, and suddenly the option of changing our minds is gone...well, almost.

noisette grigio, white medusa, calacatta cielo

We have yet to choose the marble for our kitchen island.  And here's where we find ourselves confronted once again by almost infinite choice.  This time, though, the choice doesn't feel liberating, but stifling.  We have three weeks to decide.  After that, the cabinets will be in place and, unless we want to camp out in a makeshift kitchen in my studio forever, the counters will have to go in, and life go on.

our currently tagged slab--calacatta carrara extra (calacatta and carrara in one slab!)

So, really, what's our problem?  We are in the midst of a luxurious kitchen renovation.  How can we complain?  Are we dragging our feet because it will really make a world of difference whether we choose the calacatta carrara, the arabescato extra, the calacatta ondulato, or the white medusa?  Will we be forever dissatisfied if we get a mitred square edge instead of a built-up ogee?  We've invested this decision with so much importance that I'm beginning to think it's symbolic of something else entirely--as though the island countertop decision is a metaphorical door closing on possible worlds.  Once this final choice is made, the once in a lifetime dream kitchen is no longer a dream, but a reality. 

Sigh.

The first slab I tagged--an arabescato--vetoed by N as too purple

 

 

So I guess choice is not the real tyrant at all.  Choice allows the dream to take place.  It's coming to a decision that turns on all the lights and wakes us up from the dream of possibility.  No wonder we're so indecisive. 

another option--calacatta cremo dorato extra (extra for extra $? calacatta as a prefix is always dangerous)

 No wonder houses, especially as they are being built or renovated, are so often used as metaphors for life, and these light decisions that we have the luxury of making feel so heavy.

Half Bath Tour

Doorknob salvaged from former main floor bathroom

Just down the stairs and around the corner from that orderly tool wall we wrote about here, is our new two-piece half bath. Shall we go in?

Here we are on the outside.  The tongue and groove boards and exterior marine lights make it look a little cottagey out here, so we sometimes refer to this half-bath as the indoor-inside-out-house. Much remains unfinished out here: ceiling, trim, cabinets above the washer and dryer, stairs, etc, but for now, I will try to focus on our (very nearly) completed project.

First glimpse...

Further in...

Shut the door

This doorknob and lock set is also from the former main floor bathroom.  It is not original to the house, but probably predates the conversion to a duplex in the 1940s.  This one still has some of its original nickel or silver plating.  At first we thought we required a rim lock because our door wasn't thick enough to house the old lock mechanism, but N ingeniously encased the lock in a box, carved out a niche for the strike plate, and constructed his own rim lock. It works beautifully.

Through the looking glass, right and left

It's difficult to photograph a small space. The mirror reflects the nautical chart of our beloved St. Margaret's Bay in Nova Scotia, and the rustic "Z" pattern door constructed by N and my dad out of tongue and groove boards.

the faceframe cabinet with inset door reclaimed from our original pantry

original Eastlake latch hardware from our old pantry cupboard

We were fortunate to be able to reuse the door and latch hardware from an original pantry cupboard to construct this little cabinet over the toilet.  I gasped when I first saw it installed--it looked so perfect in its space.  Honestly, when I saw how quickly N and my dad built and installed this little faceframe cabinet with its inset door and exposed hinges, I wondered why we needed to hire a cabinetmaker for the kitchen at all.

To give you an idea, here are some before and after shots:

during, and after--stairs and plumbing now neatly hidden away

the original cupboard door already hung in its new frame

chiseling a niche for the new hinge and clamping the cabinet box

And now a perfect little cabinet nestled under the stairs

In the shot above, you can see the expanse of brick wall.  It's not real brick, but the same brick veneer I used in the kitchen and which I described in detail in the previous post.  We think it does give some much needed warmth to this chilly little basement bathroom.  The wall is bare now, but once we have fewer things to do to the structure of the house, we look forward to perusing antique stores for an old porthole to hang on this wall.

I noticed that Restoration Hardware had introduced a porthole medicine cabinet, but although I like their fixtures and their washstands--their functional items--I don't like the idea of decorating with their objects.  I like to be my own collector, so we'll save the porthole as the object of a future quest.

the space saving washstand...

with weathered oak base from Restoration Hardware

 RH Bistro toilet roll holder --simple, perfect

RH Bistro faucet

We offer one little caveat about the Bistro faucet, which looks beautiful, but comes with the wrong handle cartridge.  All of the Restoration Hardware faucets are shipped with cartridges for lever handles.  This works perfectly for faucet styles with lever handles.  Lever taps open by having their handles pulled in towards each other.  In other words, the hot side opens with a counter-clockwise motion, while the cold opens with a clockwise motion.  With cross handles, both taps should open with a counter-clockwise twist (right-y tight-y, left-y loose-y).  So, after several days of deciding whether we could live with it (we couldn't), we contacted Restoration Hardware, who were a little slow to comprehend the problem, but helpful once they understood.  They put us in touch with Newport Brass who manufactures their fixtures, and who sent us the correct part.  Now order is restored and we have no more fights with the tap.

I'm going to wrap up this post with a few progress shots, just for the record.  We've learned that a small room requires just as much planning and almost as many resources as a large one, but the rewards can be great too.

An early progress shot showing framing, plumbing, and my hardworking dad

during construction, bricks partly mortared

and after, from similar perspectives

the cabinet niche under the stairs and N hoisting the cabinet into place

For reference:
Faucet, toilet roll holder, tilt mirror, and towel ring, all Bistro in polished nickel 
Weathered Oak sink console
1920s factory sconces polished nickel --all from Restoration Hardware
Toilet Toto Eco Drake
Paint Farrow and Ball shaded white on walls, pointing on ceiling, slipper satin on trim
Porcelain floor tile, Casa Dolce Casa  Pietra/2 'Fiora' from Stone Tile International
Door and cabinet hardware and cabinet door reclaimed from this, our very own old house


Thanks for coming on the half bath tour.  I'm determined to write a post about our master bath renovation as soon as I take some good photos.  Until then, here's a glimpse...